TYPOGRAPHY THEORY PRACTICE 2025

A one-day conference at Leeds School of Arts, Leeds Beckett University, on Saturday 25 October 2025 which explored how typographic theories and propositions can manifest in practice, can be used to explain practice, and become practice. Organised by Fraser Muggeridge, Professor of Design, Leeds Beckett University, this conference aimed to bring typographic theory and practice closely together across a range of contexts and applications.

Presentations by Professor Fraser Muggeridge, Ruth Blacksell, Joost Grootens, Louise Paradis, James Langdon, Nahal Sheikh, Chloé Motard, Julian Bittiner, Ane Thon Knutsen, Rebecca Ross, Hector Mangas, Marta Guidotti, David Cabianca, Matthew Chrislip, Elena Veguillas, Matthias Kreutzer, Barrie Tullett, Roy Chan, Filipe Campos, Amrit Randhawa, Paul Finn, Holger Jacobs.

Watch the presentations from Typography Theory Practice 2024 here.

Professor Fraser Muggeridge

Typography is ...

Ruth Blacksell

Experimental Publishing: Alternative Networked Cultures & New Archival Initiatives

Joost Grootens

P.73 – Deciphering the Page Number

Louise Paradis

Designing in Two Languages: Typography and Language Policy in Quebec

James Langdon

Words and images combined

Nahal Sheikh

Soft Scripts: Urdu Typography and the “new ideal” of Postcolonial femininity in 20th century Pakistani Advertising

Chloé Motard

Designing Tools for Accessibility

Julian Bittiner

Edward Wright and the materiality of language

Ane Thon Knutsen

The Good, the Bad, and the Ugly – Women in Modernist Publishing

Rebecca Ross

Alphabetic Interventions

Hector Mangas

Inter-cultural measurements of font weight

Marta Guidotti

The pursuit of reading comfort: the interplay between language diversity and typesetting

David Cabianca

Criticism from Within: Searching for Meaning in Graphic Design

Matthew Chrislip

Types of translation and the translation of type

Elena Veguillas

Truman’s through practice

Matthias Kreutzer

Typography & Migration: Form, Language, and Ideology in Local Printing Cultures

Barrie Tullett

Of Progress and Loss

Roy Chan

Reviving “Hong Kong Type”: When archival Chinese movable type becomes contemporary practice

Filipe Campos

Maximising Minimalism: Redefining Pixel Typography in the Digital Era

Amrit Randhawa

Typecaste: Victorian Typography as Visual Identity in British Bhangra

Paul Finn

What is a diagram? Or diagrammatic and typographic ways-of-knowing

Holger Jacobs

Working with the Unknown: Thoughts on a Parasitic and Symbiotic Typographic Practice

Leeds School of Arts
Leeds Beckett University
City Campus
Leeds
United Kingdom
LS1 3HE

Enquires
Fraser Muggeridge, Professor of Design, Leeds Beckett University
f.muggeridge@leedsbeckett.ac.uk

Website design loosely based on two iconic studies on typographic theory:

Twyman, Michael. ‘Typography without Words.’ Visible Language XV (1981):5–12

Burnhill, Peter. ‘Dimensional Relationships in the Composition of Text.’ Stafford, Stafford College of Art and Design, 1970

Typeface is Publico Text Mono by Commercial Type
Website development by An Endless Supply

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Leeds School of Arts
Leeds Beckett University